Friday, February 6, 2009

General Question/Statement

I have a general question/statement:

I don't understand why different aspects of Latin American culture are so contrasting. So many of the movies and novels have such twisted plots that include prostitution, drugs, homosexuality, murder, etc....and they not only have just one of those things, it's often a bunch of them combined...Like in El Callejón de Los Milagros and other movies that we've watched so
far and novels, like by Isabel Allende for example...We had to read Eva Luna a few years ago in a "What is Bad Literature?" class, it's the only book that I've read by her, and it's really strange and kind of all over the place. I remember thinking "there's no way that all of that drama could possibly happen to a single person." A new character is introduced in almost every chapter and they have really bizarre stories.

I was born in Vancouver, but my dad's Cuban, and almost everybody in my family is a musician, so I've been around a lot of Cuban music and big family dinners where everybody talks at the same time and the mood is generally really happy most of the time. Just listen to merengue, and salsa and cumbia and banda, it's supposed to be really happy. I have Cuban music where they sing about coffee and fire and there`s happy music in the background. It's so contrasting from all of the drama and negativity in the plots of movies and novels. My dad was considering majoring in Spanish in university but he told me that he chose not to because he didn't want to read depressing literature. My mom was in a spanish book club awhile ago where she would basically do what we do in class, but with novels and with her friends...her friends would pick out the books, and she would have to go buy them and she told me that all of them were depressing and filled with drugs and prostitution. All of her friends are from Chile and Argentina, and yes they have problems, but so does every other person that I know...I don`t understand why they kept choosing depressing literature. I've never been to Latin America other than to Mexico, so I don't really know what it's like I guess, and from experience, a lot of people who I met were either like people here (happy when good things happen and down when bad things happen) or really positive and welcoming . My mom`s friends are generally pretty outgoing whenever I see them.

Also, people from here 'escape' to Mexico and other areas to party....to take in the sun, and drink margaritas (and also that they have the Americanized version of a taco and of nachos here at dinner parties and it's supposed to be like one of the 'fun' foods like hot dogs and the Americanized version of pizza) and get away from all the drama in their lives...but the literature is depressing! Do Latin Americans need to escape from their happy lives and watch twisted entertainment? Or do they agree that it's depressing and try to stick to things like Cantinflas and Betty La Fea? Or does happy Latin American literature and cinema exist and I just need to be introduced to more of it?

What's with all of the contrast and exaggeration between Latin American culture, various forms of entertainment and reality? It's something that I'll have to think more about.

Tuesday, February 3, 2009

El Callejón De Los Milagros

We all know that the movie was divided into three sections, each one featuring a character. In this blog I want to point out that each of these characters ended up doing something different than what they originally set out for in the beginning. In the beginning of the first section, Rutilio acts like he’s homophobic by getting mad at Chava and Abel for hanging out too much (people might think they were gay), and then he finds a boyfriend and almost ends his relationship with his son, because his son is partly worried about his father’s and his own appearance and almost kills his father’s new boyfriend and has to run away to the US. At first Rutilio is trying to look out for his son, even though his criticism towards him makes him look cruel, and then he ends up losing him for awhile because of their argument.

In the second section, it really never seemed to me that Alma loved Abel as much as he loved her, but she promised him that she would wait for him and she didn’t. She started out as a clean virgin who was searching for a future, but when Abel moved away, she gave up on him almost right away and decided that her future would be prostitution, even though she ran away from it at first.

Susanita was a lonely landlord who was desperate enough for a family to give up rent money in order to have her cards read, but she ended up with a thief, who she got new teeth for (not a cheap procedure). She spent all of her money for men and to get men...she didn’t make Chava pay her back...and then because she realized that Guicho was stealing from her, she tried to end her dream of a family by finally putting herself first and yelling at him for it.

As an audience member, rather than a student who would be analysing it later, I found this movie kind of disturbing because I was rooting for the first two romances to work out (the first one is kind of questionable depending on your opinion, but whatever makes them happy is ok with me) and the first boyfriend almost got killed and with the second romance Alma became a prostitute and Abel got killed. With the third romance, I knew the guy was going to keep stealing from her, so I didn’t care that he got busted in the end. I’m not completely sure how the first two sections significantly blend into the third section, but it seems that if Chava and Rutilio hadn’t gotten into a fight, then Abel wouldn’t have moved away, and then Alma wouldn’t have become a prostitute...but then what would have happened with Susanita? Would she have gone after Chava? I’m not sure what happened there with them except that Chava gave her hope for a new man by kissing her. I guess now that I’ve finished typing this, I don’t think that the movie’s disturbing, but the characters are really pathetic. Only Abel really stands up for what he believes in and doesn’t give up until he’s dead.

Tuesday, January 27, 2009

Mecanica Nacional

Watching this movie was like watching the wild side of immature teenagers. I didn’t understand most of the language, so most of my opinion is from a visual observation. It was like watching a party that I probably wouldn’t ever want to go to because it consisted of adults behaving like teenagers. The Human Geographies essay says that “They eat and drink, sing, flirt, make love, talk, argue, fight, threaten each other with violence...” (58) They played with boundaries, especially the way that the women were treated (the grandmother in particular...). The men and women seemed to want to fool around with people who they didn’t arrive with, and I don’t know her name, but everybody was all over the lady in the pink outfit...when she fell on the ground (which didn’t seem like a very hard position to get up from) everybody reached in to “help her.” Also, I don’t know his name either, but the main character whose mom died...when he found his daughter on the ground with her boyfriend, he seemed to snap out of party mode for awhile and act like an adult in order to punish her, but then he kept hitting her throughout the movie, even when she was sorry that his mom died. When the mother died, you would have thought that more people would have acted more serious, but they only seemed to act decently as a group when the press was there and when they were in another traffic jam at the end in the moment of silence. Otherwise, they were more interested in the race...even the old woman’s son couldn’t stay by her for more than a few minutes even though he seemed upset...especially when the race started. He got up from her side, and then all that was left was a dog for awhile. The whole thing was a giant party, and the death was hardly a distraction...they wouldn’t let it ruin their event.
The Human Geographies essay also says that the traffic jams at the beginning and the end are supposed to be a parody of a growing population....I didn’t get this connection until I read this in the essay...I just figured that it was supposed to symbolize impatience to get to their party/race.

Tuesday, January 20, 2009

los olvidados

Los olvidados has a lot of huge important themes, especially since Buñuel thought of it as a documentary, but I think that the relationships are the most interesting part of the film...the relationships between the gang and their parents, the relationships within the gang, and the relationships between the gang and others such as authority figures, animals and people who are weaker than them (the blind man and the legless man).
When I first heard about this movie, I thought that the kids were orphans who started a gang, so when I saw the movie and some of the kids had parents/authority figures in their lives I thought it was interesting that they did but still choose to rebel and be part of a gang. And also that Pedro still really cares about what his mom thinks of him even though he makes a lot of bad decisions. His dream about his mother convinces him to behave, and makes him realize that his relationship with Jaibo is a bad one...Jaibo tries to control him and pulls him into situations that’ll get both of them in trouble...but even after he tries to get out of Jaibo’s influence, he can’t escape him until they’re both dead. The gang picks on people who are weaker than them, so that they can take their money, and they run away from any authority figure that could potentially punish them. Also at the beginning, it seems like Buñuel is going to have Ojitos inspire the gang members to change because he’s from the country and he’s knowledgeable, and he has a good heart. I kind of missed what was happening when he was pretending to be sick, but I thought that in general that his relationship with the blind man was important because it showed that different behaviour is possible, especially when he starts to get mad at the blind man and starts to throw a rock at him, but then chooses not to...I thought that whole scene represented the possibility of making good choices if you want to make them. I wasn’t really clear about Pedro’s relationship with animals, or why chickens/roosters kept appearing everywhere when something good or bad happened. Pedro seemed to have a soft heart for animals, which could represent the good in him, but he was still willing to kill them at the farm when he got angry.

Tuesday, January 13, 2009

Aguila o Sol

Aguila o Sol.........what an interesting movie. I'm really glad that this is a blog because the language was way too fast for me to understand most of what they were saying and I wouldn't be able to give concrete examples like I would have to in an essay. That said, I guess it didn't really matter too much that I didn't really understand what they were saying because I still understood that there wasn't much of a plot. The whole movie, even the parts where they weren't on an actual stage was like stand up comedy.........When they were on stage though, just from the way that they dressed up, it seemed like they were trying to appeal to a lower class as well as an upper class..also when they were selling newspapers, it seemed like they were trying to make a connection with a lower class audience so that the comedy would appeal to them as well as the upper class. It reached out to all classes because it showed that they worked themselves up from the bottom when they were orphans and on their own to when they had their own act (this could perhaps give hope to a lower class audience?) and also to an upper class audience, as we could see when the characters were performing on stage, the camera kept showing how much the audience like the comedy....but going back to what I was saying before, this doesn't really apply to when they were children, but I noticed that they were constantly trying to entertain the audience (I mean the audience watching the movie, not the audience that was watching the show) through constant stand up comedy and slapstick...even the transitions attempted to entertain...for example when Cantinflas and Carmelo are going from the theatre to the bar, and the movie shows comedy with "El Gallego" before going back to the main characters. I also noticed that when they're drunk, they talk in nonsense and then sing when they are transitioning to another joke or section of the stand up comedy or to end the scene.

The plot can’t have much purpose other than to entertain, especially if they have to put in such a large and random dream scene. They seemed to want to show off the talent of the other characters ( I guess that’s what the other show was for too) some more, and add more slapsticks with the coconuts falling on their heads (or rather a crew member throwing coconuts at their heads)...otherwise there wasn’t much point it, or any part of the movie. So the movie was made up of a combination of the two points that I mentioned here (and probably more)...constant entertainment, and appealing to more than one class...maybe the dancing in the dream appealed to a higher class...I have a question though, and it’s not really relevant, but here it is. When Cantinflas and Carmelo are on stage and they are talking about verb tenses, doesn’t that imply that they have had some sort of education? Or do you learn grammar from selling newspapers on the street? This most likely isn’t important, but it’s something I noticed...At the time when they are telling the joke they seemed to be dressed up like lower class people, so if they did need an education for that then it doesn’t really make sense.

Friday, January 9, 2009

Introduction

We're supposed to introduce ourselves...and I don't really know what to write...My name is Elena, and I'm a music and Spanish major. I guess I'm interested in cinema courses because as a musician I've had to analyse/study a lot of different styles of music from different cultures and look at them from different perspectives... and cinema to me is similar to music with all of the many components and layers, except that music is mostly conveyed through sound, and so is cinema, but obviously it is also really visual. Of course there are a lot of other differences, but I can see the similarities too, so on one hand, I don't think that studying cinema will be much different from what I'm used to (though I could be wrong), but I also know that it will offer a lot of new challenges. Anyways, I guess that's my introduction for now.